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Anadyomene MAG
My mother swims the butterfly 
 in the Gulf of Mexico, her body 
 a series of arcs that slip smoothly
 through the wall of green waves.
 
 She pushes bubbles to the seabed with 
 cupped hands, the air from her lungs and 
 the foamy thrash of the waves mingling 
 around her legs in a slipstream current.
 
 My sister and I bounce on tiptoe in 
 water up to our chins, watching for
 the splash of her kick that rises
 just over the crest of the next wave.
 
 We call after her, but with her 
 ears full of water and a sandbar
 between us, my mother is deaf
 to all but the call of the ocean. 
 
 When we feel sluggish with sea salt
 we stumble, numbed, up to the shore
 and pace there, waiting for our mother 
 to come back from the edge of the world.
 
 There, her bones never betray her,
 the brine washes over her weak joints and
 she returns to us with water streaming 
 from her long hair, a modern-day Venus.
 
 I am no longer that child who paces 
 the shoreline, having long since scrubbed 
 the sand from my hair, the salt from my veins, 
 but my mother molders, landlocked, inland.
 
 She sits at the edge of our goldfish pond 
 and trails her pale fingers in the water, 
 wets her sleeve and trails the dripping edge 
 along the curve of her jaw.
 
 Her deep blue eyes hover somewhere 
 between the horizon and distant storm clouds, 
 as if she waits for the rain to flood 
 this dusty-dry land and set her free.

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