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The Last Long Ride of Charlotte Corday
The new world doesn’t scare her. She preferred the old one,
looking out the window, the stagecoach from Caen
jostling
big carts, little carts; strawberries stacked
up like tombstones, wilting
in the hot July air
blue, red, white of the market
the berries
winking in the ribbons of homemade cockades.
She fingers hers
as if fingering berries; wrinkled
putrid, already rotting in the heat.
Blue, red, white, blue, red, white—
Paris swims in a world around her.
Powdered wigs and close-cropped hair and
everywhere, the angry shouts,
blue of the sky, blue of the pretend Seine, white of the white clouds stained
red. Red, red, red
red of the berries, red of the rouged cheeks, red of the real Seine
pink
from the slaughterhouse upriver but
dark from the jolly barbershop that
the carriage skirts, her knife steady, on
the way to see Jean-Paul Marat—
Yes, she preferred that world.
Better she not see
this one
now—

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Charlotte Corday was a young moderate of the French Revolution who, disgusted by the French Revolution's violent turn, assasinated inflammatory journalist Jean-Paul Marat in an attempt to staunch the flow of guillotine-spilled blood that stemmed from his pen. She knew full well she would be arrested and guillotined herself and yet proceeded anyway. I have so much respect and admiration for her courage and selflessness; this is my attempt to explore what she was thinking en route to her final act.