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The Fall of Rome MAG
  Peer through the binoculars, observe the steady
  gray rain and the wrought iron bench, the stone
  wall that has borne witness to a thousand days
  (maybe more)
  and will continue to stand upon
  the grass that has grown and withered away
  several times over since that distant evening
  (vesper, vesperis)
  when she looked in through the blown glass window
  and saw the tiny hidden kingdom of
  chocolate hugs and sunrise eyes.
  Then a pebble was carried on the wind and struck
  the window, not so hard that the pane shattered but
  enough to dislodge a chip of molten sand
  whose place was taken by a silvery spiderweb
  like the ones that used to brush against her face,
  ghostly tears on her walks through the woods
  (silva, silvae).
  That spider has long since died, cooked alive by
  the rising sun peeking through hazy golden lashes.
  The secret kingdom evaporated, misty through the
  minuscule cracks that became gaping chasms the closer
  you got to them. The scribbled words and the eye pencil
  and squishy red fish, all rising out of their transparent
  prison to land on the dry crunchy grass, dust of forever
  coating stark curlicues and stone walks who stand,
  keeping vigil now and into the night
  (nox, noctis)
  and ever after.

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Inspired by After Us, by Connie Wanek.