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Seamstress
coarse fibers unravel – we are a light pink ball gown
hacked at the hem; my silk metamorphoses into
moth-eaten yarn underneath your fingertips. we are
burning up, rosy mesh swirling like melted bubblegum;
layers upon layers of fabric writhe on our hands
like a snake’s nest, embroidered eyes narrowing
as forked tongues unfurl. the familiarity of our fighting
is almost comfortable – but when your eyes
peer into mine, satin waterfalls freeze; i rot
like sweet plum skins under your sweltering
gaze. my white tongue waltzes into a knot;
i take on the form of tongue-tied voodoo doll,
you are corrupted puppeteer, frayed wires pulling at
heartstrings and tangled limbs alike. in the eye of the
storm we attempt to weave ourselves whole again,
vomiting apologies we don’t mean; you defend
yourself vehemently as i lick my injured skin;
power over me calms you so i let you have it.
in the dark of the night, we are koi fish swimming
in spoiled ink; the names of other girls bloom
like marigolds in your mouth; i pray you choke
on the petals. fabric splits; secrets shoved in
heavy pockets, zip ties coiled on your lips. you see me
only sometimes but always through a scratched keyhole.
an incomplete list of what we are:
toxic, tempting, textiles, tornados,
lackluster topaz bursting at the seams.
you do not love me, you love
the seamstress i can be for you.
but i have no bruises to show.
shrapnel flying,
i sink my teeth into our
double-stitched seam;
your threads can learn to mend themselves.

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Seamstress is the story of a couple reaching their breaking point. Throughout the poem, the narrator admits to knowing several things about her lover, from the way they view her to the way they fantasize about other girls (the names / of other girls bloom like marigolds in your mouth; i pray / you choke on the petals). Her most meaningful revelation, however, is the fact that she knows her partner does not love her and is using her to make themself feel more whole (you do not love me, you love / the seamstress i can be for you). The poem starts with the couple in the thick of an argument and ends with the narrator finally ending the relationship (shrapnel flying, / i sink my teeth into our / double-stitched seam), allowing the reader to see the narrator reach her breaking point.
I hope that through this piece, the reader understands the distress and guilt that comes with being mistreated. The goal of "seamstress" was to give readers insight into the intensity of a toxic relationship, and the difficulty that comes with leaving a partner even if they are unkind.