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Golgotha in Texas
We had only walked a few steps into the blessed lands of America, through the golden gates,
when she collapsed, eyes rolling back in her head. She is receiving her sacrament,
and her limbs buckle under its weight. We had marched through the night
under unrelenting darkness, because the helicopters flying over would spot
our flashlights and fires, like eyes staring up at them from the tired dust. The soles
of our shoes open like tongues of flowers. Snakes and scorpions crawl over our darkened feet.
My sister’s shirt smells of vomit and sweat and the muddy water of the Rio Grande. She saw
the cool dark face of a rain puddle along the highway, and put her mouth down to drink.
Now the devil lives in her belly, and she vomits blood, trying to stifle her gags
when we hide in the bushes as la migra walk across the hardened dirt. Their footsteps echo
like scripture. Our clothes drip and cling to our skin. We emerge from the Rio Grande baptized,
swimming to fight current, mud stinging our eyes. Water snakes with open mouths of cotton
whisper prayers in Latin. We are novitiates to the beautiful American dream. The holy converted.
After one hundred miles walked, she tells me she can move no more.
Her face is gaunt and her breath smells of warm sickness. I leave her lying
in the dust. My sister’s death sounds like parables to the disciples.
I drag my body through an unforgiving night. I worship the country
who locked its gates to me. I worship the men who will put me in handcuffs
when they storm the fields where I work for cents a day. I know my sister
doesn’t watch over me. When illegals die, they don’t become angels.
When I left her, her arms and legs were not spread around her body, beautiful
and soft, her expression gentle and pale, like frescoes of cherubs on a church ceiling.
I imagine the harsh lights of a helicopter revealing her body, the border officials
crouched around her with their batons in their hands, checking for a pulse
of my sister’s corpse, stinking of rot in the Texas sun, illegal still in death.
Her lifelessness an atonement to their deity.

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My father was Hispanic, and that often inspires the things I write. The border--and the journey of those who cross it--has become very politicized, so I wanted to step back and continue to write about individual experiences.