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Watercolor Galaxy
Steps ricochet off old bathroom tiles
and spill music into the neighborhood
gingerly. She lets me feel her
scars, each twisting and coiling an ombre
of sculpted garnets and amethysts, trailing
along basins of candy-flavored milk. We scrape
our palms against monkey bars boiling
under a feverish late-summer sky
and hurl scooters into an open fountain--
mid-suspense vacancy.
The neighborhood is curiously hushed
against untamed daylight.
Her fingers are soaked in lychee
juice, whisking away at the black and white keys
of a 19th century piano. She wears her persona
with dancing fortitude, eyes deeper than a
starless night, burying banes of
her roots within her emeralds and opals.
We veil ourselves within the eclipse
of her closet as hiders among multi-colored
treasures. She’s topaz, the smell of
saccharine tangerines ripening and spoiling
under a marmalade-splayed sky, and I’m
aquamarine, the taste of blue crayons
on my tongue that summer afternoon.
She lets me paint on her body, so I brush away
scars that run across fingertips to ankles
and back. I sprawl planets and their moons across
flushed sepia skin, connecting comets and stars
along garnets and amethysts, emeralds and opals.
Light casts on her back, flashing hues of
valor and awakening.
Ma, I say. A galaxy.

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As I grew older, I started learning more and more about my mother's childhood trauma and the abuse she endured as a child. This is a piece that sheds a light on my mom's internal scars in an attempt to shift the negative connotation linked with scars to a symbol of strength and growth, transforming them into beautiful jewels that make up a part of many individuals' identities. The somewhat peculiar references to "candy-flavored milk" and "lychee juice" are staples of my childhood growing up in South Korea, where many of these drinks were sold at local supermarkets and convenience stores.