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Magnets
Poetic rain,
I wrote a little about being in love today
About thin-fingered hands and the mechanical light and
How the world suddenly seems to have good in it.
I wrote about how it always feels like
It’s meant to be, even if it’s not—
How I found comfort in the idea of something that was just for me,
And I called it destiny.
And baskets of snow fell from the air that morning
As flowers bloomed and white rabbits skipped around
You can’t go back now, it’s too late to even try
These are empty words—hollow, like the way our hearts beat at night.
Your eyes on a cigarette paper,
The real thing dangling between your lips
Top button’s undone, extended hand,
Nice to meet you.
It’s all chaos from here, I’ve been warned,
Yet, here I am
Laughing over skin and blood
And coffee with you.
And oh, the sun—watch it sink down low, so shy
In the night, we pray
And catch dragonflies
Your hair, I watch it fall over your eyes
And for the first time, a softness
And every rainfall I’ve seen
Every time I watched the sun go down,
It all led up to this moment—
The hesitation on your face
Before you lean in for a kiss,
The warmth of your eyes—
(Chocolate? Coffee? Honey?)
The tremor in your voice
As you say something that’s meant to be funny
And darling, you should know
That I’d laugh, even if it wasn’t.
You scribble words on the clouds that night,
Steal me blue flowers from sad bouquets
As we walk
The rain, it’s going to come down on us,
Soak us to our very core,
Wouldn’t you like to be someplace warmer?
The only warmth I know is the fire in your eyes,
The curve of your lips on my shoulder
And the rumble of your chest
When you say you’ve never felt this way before
And the stars in the sky, they all go out.
And the poetic rain, how can I ever forget
Your arm on my lower back,
Your secret grin in a crowd,
The laughter in your eyes
As I say something silly
The library shelves, here I am
The ones you kissed me against.
And that was the first December it snowed
But we stayed warm
In our little flat
With the grimy floors and
The tiny stove in the kitchen
Boiled sweets in our refrigerator,
And a heater that’s been broken too long
To be fixed.
You told me stories, on those nights
Huddled against each other
About how the world is too small,
Love painful,
Cigarettes expensive.
And I treat you to cheap beer
On the rooftop, I’m afraid of falling
But the snow—it isn’t
It continues to fall, unafraid, upon us.
And then, here we are—
Your arm around my shoulder, lips pressed to my hair
I was told you were bad for me— trouble, chaos, a drug
But when your lips, they meet mine and linger,
As we argue over good poetry
It doesn’t seem half as bad, then, does it?
When the sun comes out again,
It somehow remains just as cold
Your foggy breath, your torn yellow gloves
Aren’t around as much anymore.
And you fall off the roof
On a cold, slippery day
A weak joke and weaker chuckle,
Something about breaking a leg, you say.
And the coffee table, the brown, small one
Is covered in sheets of paper, your words everywhere
I’m choking, screaming, gasping for air here
I need
The comfort of your lips,
The warmth of your old coat,
Your ashy fingers in my hair.
And there’s magnets on the refrigerator tonight—
Rome, Paris, Berlin, everywhere else that you want to be
It’s autumn outside
(Never inside our little, lovely flat—
With its grimy floors and dim yellow lights.)
And darling, we’ve run out of groceries again
Will you come with me,
Let go of that pen for a minute?
You want to paint the walls,
A rosy pink would be fine,
And we scream together, to music so loud
The neighbours complain
You lift me up in the air,
And I kick and shriek, laughter
It’s almost—well, almost—like before,
The before when you loved the boiled sweets in the refrigerator
And cheap beer on rooftops as the snow falls
The before when you read me your poetry out loud
And told me stories
About a world too small,
And a head too big
To hold all your dreams.
I treat myself
To expensive wine on the rooftop that night
And the stars—they’re all back, finally
I almost want to fall
And break every bit of me that’s not already broken.
Your answers, they’re monosyllabic
Eyes too distant, too far away to see me
And darling, we’ve run out of groceries again
Darling, aren’t you home—
We’re out of groceries again.
Your little sheets of paper, little poems you used to read out loud
Don’t cover the coffee table in the sitting room anymore
And I almost said them today, those three f****ng words,
Almost spit them in your face,
But then I kissed you instead.
And the magnets on the refrigerator,
They go next
I’m too scared to inhale, exhale
To see what comes after.
And sure enough, it’s you
The boiled sweets and tiny stove—they stay
I don’t even remember the last time I kissed you,
And I don’t see you as you walk away.
And our little flat—
My little flat—
With its grimy floor and dim yellow lights—
It doesn’t smell like cigarettes anymore,
And I’d mail you your things
(Your old coat, ashtray and boiled sweets)
If only I knew where to.
And I ran into you, in the supermarket the other day
You were scribbling on the clouds,
Treating yourself to cheap beer
The scent of cigarettes, held loosely between your pink lips
A new coat, the snow’s still falling in baskets
Warm eyes but just for me.
And I saw you cry for the first time in my life,
I don’t think I ever wanted to, but here we are
Your lips on mine,
I want to remember it this time
I want to remember your cold, stale breath
As you whisper goodbye.
And there’s magnetic alphabets
On the refrigerator when I go home,
And I stand there, in your old coat
And spell out
I love you.

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The piece 'Magnets' follows a long-term relationship through its multiple stages. Written in free verse, it is told like a story and its aim is to evoke an experience that makes the reader feel like they're living in the story, and feel everything that the writer feels.