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we strip off religious skins
these faulty eyes do watch and see
the filthy world of you and me
they gaze upon half formed idols
that twist and meld into fear and life
we, everlastingly
unsatisfied with nature as it sits
still yap at the remnants of babylonian gardens
but now
we strip off religious skins
and walk bare as night into twilight hours
the pinks of days gone and memories to come
dance on the laurel’s fertile petals
still we focus on the prophetic spat
from our throat rather than the eternal breeze
drifting through our hair
and yet
we step on the indifferent tail
of earth’s loyal bitch
until blood runs warm between
our toes and our wounds
longing for the embrace of
the immortal divine that whispers curses
and poems over the deafening roar of dawn
though today
we knit scarves of nature’s sinew
and wrap each end around a shoulder
these strings that tear and tug
and make splinters of our spines
only act to remind us that
artemis weaves these blinding curtains
which separate us from the ravens
and now
we burn
the facade of hierarchy
between lord, you, and dazzling mortals
red smoke rises from blackened bodies
of gods that once held dominion
breathe in the subtle ecstasy
to the tarred lungs we swear
help keep us sane
until the
satyrs and nymphs intervene
and stamp out the physis’ ashes
with the scent hanging on each finger
we sicken at the thought of sacrifice
yet little changes
when silvanus spreads his cancerous seed
underneath our nails
far away
the horae weep in chains
made of marrow and lost time
pulling at their cuffs
scabs crest and fall at the hands of brothers
stuck in our diurnal rhythm
we release the season’s wrath
only to imprison it again ere selene’s retreat
henceforth we
collect aegis’ lonely fragments
and pray the clouds clear fast
before the rain washes away
the prints of man and god alike
living in parasitic harmony
we forgive the sins of past
and suckle on gaea’s vile bosom

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I wrote this poem to examine the intersection between nature's divine self, as explored through illusions to Greek mythology, with the passivity and complexity of the human mind. The poem is purposefully ambiguous at sections as I do not believe that the author has the authority to completely control how a poem is recieved. Instead, I feel that the reader should be forced to use their own imagination and experiences combined with the work to form their full impression of the work.