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Cuba, Full of Grace
Little finger rejoices.
 It steadies a silver fork 
 between itself
 And its next-door neighbor.
 And the little finger notices
 The thin, bloody-red juices
 That leak hurriedly from Castro’s
 November ration of cooked beef.
 Desperately, evasively, 
 Some of the meaty stew’s salty sap
 Tries to escape from the homeland.
 Silly fugitives, 
 thinks the little finger,
 As it drops the fork
 And gropes for seasonings
 To quell the juices’ might
 With shakes of salt,
 Until the boliche acquires
 Socialism’s taste:
 Sweet and succulent.  
 
 Tap, tap, tap
 The fourth finger tap dances
 On the dash of The 
 Husband’s rusty Ford.
 And the fourth does the twist 
 Anxiously.
 Twist, twist, twists the silver band
 That carries His tiny diamond.
 The fourth is uneasy as it pulls up
 To the pure, chaste, unadulterated
 White sand of Havana’s 
 long stretch of beach.
 Nervy is the fourth,
 Amorously raking Che’s red star in the sand, 
 Tracing proximally to Mr. Guevara’s
 Ubiquitous, unwavering face.
 
 The middle is unabashed and wild,
 Flipping flippantly
 The record onto the turntable,
 Until Celia Cruz’s croons fill the barren living room. 
 Exultant, triumphant, uninhibited
 Salsa ricochets from
 Abuelita’s threadbare rug to the wooden cross
 To the husband’s nearly empty pack of cigarettes.
 No hay que llorar, Celia says,
 And we believe her.
 
 
 The second fumbles among 
 Yellowed papers canvased with
 Hello-s, hi-s, how-are-you-s
 In bleeding ink.  
 The second finger is nostalgic and remembering
 As it scrawls the decade old jokes
 Forged between distant family,
 A family taken under 
 Johnson’s wing, years ago.
 The finger chuckles and wonders if
 Malú still reads José Martí 
 under her bed covers
 Or if she instead eats hamburgers with the Americans.  
 
 Now the thumb is more observant than the rest:
 Perhaps its detachment from a remote family has
 Made First especially attentive,
 Or maybe just more militant and obedient.  
 It was the thumb who
 Noticed the unassuming tear in the tatty red, white, and blue fabric
 That hangs in the dim dining room. 
 And now the fingers sew easily and 
 Clinch the flag’s slit,
 But the thumb takes the needle’s beating.
 Its prick draws blood and 
 Drip, drip, drip
 First’s red mingles with 
 Castro’s red—
 Just butchery in the interlude of
 His Cuban diplomacy.

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