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Six Sides
I.
History is in the music that fills the streets of Athens
in the 1-2-3 kicks to the beat
It's in flaky bites of warm pastry
And sips of coffee that coat your tongue
The ground you step on has been stepped on before.
Every building you enter was built on the ruins of another structure deemed less important than smoothies.
The ground is worn smooth from the scuffing of sandals
Smooth all the way down
All the way back
Stone floors destroyed long ago still burn under the sun
Future floors burn already
Shining under the same star.
II.
The Colosseum glows under the sun
It is bustling life where there was battle and death
Bones in the walls watch feet shuffle and shutters click
The history they have watched unfold is overwhelming
There are names of gladiators only they remember
Names pronounced with an ancient tongue
Tourists wander through a graveyard
Not aware they are being watched
There is so much watching
Old, tired, eyes see everything that happens here
History watches them
There are few places that are not full of eyes
III.
Courtyards in Salerno are full of sunlight in the afternoon
Full of birds’ cries in the early morning
Full of church bells ringing on the hour
Every hour
The church bells sound different there
They sound emptier
Like a triangle
Or like a piece of tin being struck with a stick
It sounds like the same bells have been ringing every hour for hundreds of years
It sounds like bells worn thin over time
Maybe it’s a very old bell
Maybe that’s just how the bell sounds
Who knows?
The world is old
Many bells have been worn thin and replaced
Trees cut down and replanted
Tables and chairs broken and repaired
Shops opened and closed
Restaurants gone in and out of business
Books written and burned
Books adapted to black and white movies and then into color and then into a musical
Cause why not?
There is too much to teach
Some of it is not worth teaching
IV.
There is history at home too
The eyes follow
Peeping out from behind billboards
History learns
It watches
Sometimes it smiles
There is history no one knows
Even the eyes don’t know what came before them
V.
People wander the streets of Amalfi
Perhaps they wonder what was there
Only some will find out
And even then
They can only go back so far
They do not teach about the beaches
Where the rocks have been worn smooth
They do not teach about the crashing of the waves
Or all of the feet that have been burned by sand
These things have history too
But other things are more important
Death is more interesting than beaches
VI.
Pompeii is empty screams of abandoned buildings
long dried tears of terror
The fear of children embedded in the ground
Mothers watch the world turn their lives into paper mâché
Watch the world fill children-shaped holes in the ground
They’re laid in glass cases
So strangers can flock to their bodies
So strangers can rush to capture the dignity their deaths left behind
They hear the voices of peppy tour guides.
They scorn the sympathies of strangers for the lives of their sons that ended too soon
People don’t mean to disrespect Pompeii
But even with the intention to travel and not tour
It is hard to experience a culture that is dead.
The absence of people makes room for camera flashes and bucket hats
winding through the decrepit streets.
Just because there are no dates on the stones
doesn’t mean this is not a graveyard.
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I wrote this while I was traveling through Italy and Greece this summer. It was inspired after I visited Pompeii and felt disrespectful and slightly put off. The rest of the poem built itself around the ending, and it is an examination of what we think it important enough to preserve, and what we lose in the process.