He slowly turns the pliers in his hand, curling the wire around itself. With one last squeeze, the next piece of his beach glass mobile is complete. It sparkles as he holds it up to the sun and translucent brown, blue, and green dance across weathered skin.
The soft sound of clinking glass echoes through the workshop. The small room is furnished with a table and a folding chair. Older mobiles hang from the ceiling, moving slightly from side to side. A 25-year-old fan sits in the corner, blowing softly, ruffling the pages of the book emblazoned with a cross that sits on the corner of the table. One framed photograph stands next to the book. It is of a younger man – brown bottle in hand, arms around a smiling woman – grinning into the camera on a picturesque beach. The photograph isn’t there for happy nostalgia. It is a reminder of what he has lost and what he still has to gain.
He pushes his wire-rimmed glasses up his nose and settles into the worn folding chair. He sifts carefully through the round-edged beach glass, looking for the right piece to attach next.
The browns and greens shine back into his eyes. He can still identify the color of glass that each beer brand used for their bottles. This green is for Hefeweizen, this brown for Budweiser. He wonders, as he always does, if these well-washed shards are from bottles he himself carelessly threw into the ocean.
The mobile is for his granddaughter, Andi. Her brother, Gordon, has a similar one – well, he does if Melissa hasn’t thrown it out. He wouldn’t blame his daughter if she had. She has every right to still hate him. She has every right to ignore his existence.
In his daydreams, the lovingly crafted mobiles hang over the cribs. Melissa and her husband might hate them but decide that the children need something of their only living grandparent. Melissa might use them as a lesson: never touch glass bottles; the stuff inside is pure poison.
Another piece is firmly attached, and he checks his watch. His meeting is in an hour. They are going to play cards. His wife loved cards. Every time they play at a meeting, he is reminded of how she had begged him to go to a meeting, to talk to someone, to call his brother, to play chess with Melissa, to take Max hunting for shells, to walk the dog on the beach, to feed the cat, to do anything but drown himself in a brown glass bottle.
He finds another piece of beach glass and carefully inserts a wire in the small hole, threading his past and tying it in a mobile to hang over his granddaughter’s bed, so she might know some day that he never meant to hurt anyone.
The soft sound of clinking glass echoes through the workshop. The small room is furnished with a table and a folding chair. Older mobiles hang from the ceiling, moving slightly from side to side. A 25-year-old fan sits in the corner, blowing softly, ruffling the pages of the book emblazoned with a cross that sits on the corner of the table. One framed photograph stands next to the book. It is of a younger man – brown bottle in hand, arms around a smiling woman – grinning into the camera on a picturesque beach. The photograph isn’t there for happy nostalgia. It is a reminder of what he has lost and what he still has to gain.
He pushes his wire-rimmed glasses up his nose and settles into the worn folding chair. He sifts carefully through the round-edged beach glass, looking for the right piece to attach next.
The browns and greens shine back into his eyes. He can still identify the color of glass that each beer brand used for their bottles. This green is for Hefeweizen, this brown for Budweiser. He wonders, as he always does, if these well-washed shards are from bottles he himself carelessly threw into the ocean.
The mobile is for his granddaughter, Andi. Her brother, Gordon, has a similar one – well, he does if Melissa hasn’t thrown it out. He wouldn’t blame his daughter if she had. She has every right to still hate him. She has every right to ignore his existence.
In his daydreams, the lovingly crafted mobiles hang over the cribs. Melissa and her husband might hate them but decide that the children need something of their only living grandparent. Melissa might use them as a lesson: never touch glass bottles; the stuff inside is pure poison.
Another piece is firmly attached, and he checks his watch. His meeting is in an hour. They are going to play cards. His wife loved cards. Every time they play at a meeting, he is reminded of how she had begged him to go to a meeting, to talk to someone, to call his brother, to play chess with Melissa, to take Max hunting for shells, to walk the dog on the beach, to feed the cat, to do anything but drown himself in a brown glass bottle.
He finds another piece of beach glass and carefully inserts a wire in the small hole, threading his past and tying it in a mobile to hang over his granddaughter’s bed, so she might know some day that he never meant to hurt anyone.
This piece has been published in Teen Ink’s monthly print magazine.
JKaufman
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